Monday, November 22, 2021


Other than the time a couple of months ago that I played a few songs for my friend and his two kids, I have not played a live show since before the pandemic. In an effort to help rectify this, I played a set of original music in the back room of my mom's house the other day. These are all stripped-down acoustic versions of fifteen songs spanning all six of my self-produced albums that I have released in the past five years:

I hope you like it. If you do, please share it. Thanks for listening. 

[Note: I am not left-handed, nor does South America look like that. I thought that I could correct the mirror effect on my phone's front-facing lens after I uploaded it to YouTube, but this was not the case.]

Friday, November 19, 2021


Happy Friday. 

I just spent most of the afternoon entering all of my lyrics and metadata into, which is supposed to make it available to link with Spotify, Apple Music and other streaming services. I think it takes a little while before it connects the lyrics with my songs, but hopefully at some point in the near future, when streaming my music on various platforms, you should be able to make the lyrics appear with whatever song you are listening to. That's the idea, anyway. 

In the meantime, here are a few songs for which I am particularly proud of the lyrics.

First is Imperfect Creatures, from my 2019 album Better Days:

(Sorry for the shitty lighting on this one.)

And so much wasted time
Trying to turn a dollar on a dime

Next, we have Gravel Roads, from my 2017 album Weather Patterns. The rhyme scheme of the first part of the second to last verse is actually identical to that of the first verse:

Got a photograph, a worn out map, a compass on the dash...

Finally, here is Rat Race, from my most recent album, Petrichor (2021):

If you find your way out of here, it meant
There's no controlling the experiment

Thanks for listening. If you like what I'm doing, please share it. 

Tuesday, November 9, 2021


Today's song that I would like to share with you is called Quicksand, from the album Embers (2021). It's about depression, and how it's something that we all fundamentally experience alone, which only makes it more difficult to endure.

    I don't expect you to understand
    How it feels to be swimming in quicksand

The underlying message is this: no matter how bad things may seem at a particular moment, whatever it is, eventually it will get better. Everybody's life sucks at one point or another, but then, before you know it, things aren't quite so shitty anymore. Sometimes you have to be patient with yourself, though, as to struggle against the quicksand can prove to be self-defeating. You also have to be careful not to pull other people in there with you.

This was the first song that I ever wrote on baritone guitar. To be perfectly honest, I'm not thrilled with the way that the vocals came out on this one, but I think it's about the best I could do with what I've got. Part of it was not knowing how to mix the various tracks properly, as it's got a lot more low end on here than I do on most of my songs and not much to fill in the upper part of the sound spectrum. One of the pros and cons of DIY recording is that I tend to learn by doing.

Continuing with a certain theme, today's B-track is called Don't Forget Who You Are, from my 2017 album Good Night, Fahrenheit. It's about the things we wish we could say to the people that we'll probably never see again, and about how old friends are always with us, because they helped shape the people that we become. This also happens to be one of my favorite songs to perform live.

    Don't forget who you are... is unforgettable to me

Enjoy. Share. Love. Smile. Be free. 

    Share your mind, share your heart
    And let yourself be free
    Because only you know who you are
    And all the possibilities...